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Chantilly Bridge reunites a group of lifelong, steadfast friends who are still – in their later years — chasing their dreams, fighting injustices, and sticking up for their convictions. The women lay bare their lives and deal with important issues that impact all women with humor, humility, humanity, and love. No topic escapes the razor-like wit and insight of these women: equality, sex, menopause, mortality, feminism, parenthood, careers, love, and even “me-too” moments.
Max, Paul and Simon have been friends for 35 years. They take great pleasure in their one vacation a year together without their partners and meet-up regularly to spend evenings drinking or playing cards. Each has a successful career and they all appear to have perfect lives until the night Simon announces to his friends that he has just strangled his wife, Estelle after a blazing row. Max and Paul are horrified by Simon’s confession, but worse is to come when Simon asks them to lie and provide him with an alibi for the time Estelle was killed. Both men are torn between lying or turning over their best friend to the police.
Following the release of Zombie Women of Satan, the movie about the events of the first film, Pervo’s career hasn’t quite gone to plan. Shunned and unwanted, he’s a fading star. But not to be defeated, he returns to this sequel with a new manager, a trusty bodyguard and the beautiful actress Dahlia Von Rose as they tour the country promoting their new movie. With things looking bleak though, it seems Pervo’s fifteen minutes of fame are just about over. However, a chance encounter with a mystery millionaire could turn all their fortunes around. But is it a chance encounter? Or a diabolical revenge plot? Lured to a party at an enormous mansion, all is going well until those zombie women escape and end up running wild.
Lynn Markham moves into her late husband’s beach house…the morning after former tenant Eloise Crandall fell (or was pushed) from the cliff. To her annoyance, Lynn finds both her real estate agent and Drummond Hall, her muscular beachcomber neighbor, making themselves quite at home. Lynn soon has no doubts of what her scheming neighbors are up to, but she finds Drummond’s physical charms hard to resist. And she still doesn’t know what really happened to Eloise.
Mulan grew up in a martial arts family, has a dream to become a female warrior in the Kingdom. By forced to join the army in her father’s stead, she finds a way to express herself. However, during a mission that she was supposed to assassinate the Crown prince of a hostile kingdom, she never knows that this decision changed her life entirely. They fell in love. From then on, she has a new goal, not to fight for her achievement but to bring peace for the people of both countries. In the end, she triumphed over the villain and also understood the true meaning of being a warrior.
One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.
The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.
Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.
Taking more than six years to complete, The Cut is a feature-length documentary that conclusively proves that female genital mutilation or cutting (FGM) can be found as a native practice on all inhabitable continents. From war zones in the Middle-East to bucolic Middle America, the film visits 14 countries and features key interviews with FGM survivors, activists, cutters, doctors and researchers to uncover an often secret practice shrouded in centuries of traditions, mysticisms and irrationalities.
Relationship Therapist, Dr. Jill Peterman, had the highest-rated call-in radio show when her world was pulled out from under her following the on-air suicide of a female caller named Alexis. Shaken to her core, Dr. Jill walked away from her show vowing she would never go back. That is until Stuart, the station’s General Manager, pleads with her to reboot the show in an effort to bring followers back to the station. Still haunted by what happened, Jill agrees to help her friend out and believes this will be the perfect remedy to put her year-long anxiety to rest. As Jill starts to settle back into her show, mysterious call-ins start happening forcing her to believe there could be a copy-cat out there. What Jill begins to uncover is a web of secrets and lies stemming from the mysterious voice she has come to know as Alexis.
Maurice, a reticent young homeless man, somehow manages to get by in Brooklyn; he spends his nights in parked cars until he finds himself at Bizarre, an underground club renowned for its burlesque shows. Maurice is fascinated by the club’s playful revues celebrating self-determined sexuality and creative otherness, and the two female club owners both adore him. He soon becomes a part of their self-selected family, and begins to bond with introverted Luka. But Maurice turns his back on Luka’s growing affection. Running away from his true emotions he drifts aimlessly through the city. He tries to find his feet at a boxing club, where he meets Charlie. Unable to withstand the pressure of his repressed feelings, Maurice unleashes a mounting foment of emotions, pervaded by tenderness and menace.
Olga is a complex young woman desperate to break free from her unfeeling family and social conventions. With her Louise Brooks-like tomboyish looks she drags herself, chain-smoking, from one job to another until she appears to find her niche as a truck driver. Although she has female lovers she does not form a bond with any of them; instead she clashes, time and again, venting herself in wordless emotional outbursts and other behavioural extremes.
Loosely based on the true events of a homeless loner who moves into a self-storage facility inhabited by a community of bizarre squatters until they are locked in for the night with a deranged female who hunts them down in search of her lost child.
Under the shadow of Mount Kenya, young Maasai Warriors have remarkably formed a cricket team. In a community deep with tradition, where female genital mutilation (FGM) is still a rite of passage, these young Maasai express their frustrations at inequality by smacking cricket balls on the plains of Kenya and dreaming of life beyond their own village. Thus begins a journey all the way to England; the home of cricket. It is a journey which gives the Warriors the courage to face their elders in the hope of ending FGM.
The story centers on Billy, an effeminate fan of vintage science fiction action thrillers. His only friend is Cameron, a nerdy film buff who tries to boost his confidence whenever he can. After seeing a UFO land, Billy retreats into his head, imagining that aliens are taking over the town. Cameron is skeptical, as is the rest of the town. Meanwhile, people are starting to die. First, the reclusive cat lady, Percis, is discovered mutilated by Lester, the churchgoing husband of Carolyn, Percis’s depressed caretaker. Random deaths soon follow, first a jogger, and then a janitor at the Carbonics Warehouse. A pair of news reporters share this information with the public while the Detective and his Chief try to solve the killings.
The autobiography of a Somalian nomad who was sold in marriage at 13, fled from Africa a while later to become finally an American supermodel and is now at the age of 38, the UN spokeswoman against female genital mutilation.
A young and cynical female journalist learns love may transcend trials and time as she discovers a story that will change her life forever. When war separates lovers on their wedding anniversary Feb. 14, 1944 at LA Union Train Station, Navy pilot Neil Thomas makes a promise he isn’t sure he can keep – to return to the train station safe by their next anniversary. For sixty years Caroline Thomas keeps her promise by waiting at the train station until her missing in action husband can finally keep his with the “lost valentine.” The message and meaning shows romance and love can be real; worth fighting, and maybe even dying for.
When two troublemaking female prisoners (one a revolutionary, the other a former harem-girl) can’t seem to get along, they are chained together and extradited for safekeeping. The women, still chained together, stumble, stab, and cat-fight their way across the wilderness, igniting a bloody shootout between gangsters and a group of revolutionaries.
A former child actress attends college in search of independence and ends up becoming romantically involved with a female professor. Their relationship thrives until an opportunity to return to acting forces her to make life-altering decisions.
A young woman named Future (Macy Wu) is sent from the year 2046 to the year 2011 in Hong Kong. Future was sent by the United Nations in order to get pregnant, where she can then extract her genes and repopulate the earth as 99% of males have become infertile in the future due to attacks from Planet Xucker. Two assassins from Xuckler (Taka Kato and Ya-wen Hseh) are sent after her to stop her. Future meets three University students: Felix (Justin Cheung), Dan-san (Andrew Kwok) and Sing (Tsui Ho-cheong). The men are obsessed with female students next door: Chin-chin (Akiho Yoshizawa), Chen-chen (Monna Lam and Sai-sai (Chen Chih-ying). The students agree to help Future find a mate at the university.
A camping trip will turn into a nightmare for sisters Akane and Kozue when they become trapped by five men who abuse and torture them. Kozue is brutally murdered but her sister manages to escape. Now, with the help of Misaki, a mysterious female vigilante, Akane is ready for her vengeance. And nothing will stop her until her sister’s murderers pay for their crime!
Dominic Brunt’s impressive second feature after the beloved ‘Emmerdale’ actor took the genre by storm with BEFORE DAWN is a tense female revenge saga – a frightening true-life crime thriller graced by a scalpel-sharp screenplay and extraordinary performances. Two women who dream of opening their own café in a work-depressed northern town go to the wrong person for a loan in this chilling allegory of the economic brutality independent businesses face within the austerity-led banking system. Unable to meet the outrageous payment demands, the hardened duo must find it within themselves to take pitiless, bloody retribution on their malicious aggressor.
Lu Jin is a handsome, wealthy hotel executive whose drive for perfection is matched only by his taste for fine cuisine. When he checks into the Rosebud, he’s dissatisfied with everything he sees and is ready to take action… until flamboyant female sous chef Gu Shengnan creates the perfectionist what may be a perfect meal. Now, these bitter rivals find themselves brought together in the kitchen in this light-hearted romantic comedy, infused with fun and flavors to create a delicious dish that foodies around the world wouldn’t dare to miss.
Filmmaker Talya Lavie steps into the spotlight with a dark comedy about everyday life for a unit of young female Israeli soldiers. The human resources office at a remote desert base serves as the setting for this cast of characters, who bide their time pushing paper, battling for the top score in Minesweeper, and counting down the minutes until they can return to civilian life. Amidst their boredom and clashing personalities, issues of commitment—from friendship to love and country—are handled with humor and sharp-edged wit. In Hebrew with subtitles.
Robgen industries newest security system is “The J Series Automatic”, an android model designed and programmed to protect humans from violent attacks. But one night, an Automatic named J269 discovers a Robgen executive trying to rape a female employee named Nora Rochester. While trying to stop the crime, he inadvertently kills the executive. At this point, J269 then calls Goddard Marx (his creator and a Robgen chairman) to inform him of the incident. Marx tells the android to stay there with Rochester until help arrives, but Marx is intent on sweeping the fiasco under the rug by sending mercenaries to eliminate both J269 and Rochester. Now the two are fugitives on the run from a para-military hit squad.
Summer Heights High is an Australian television mockumentary series written by and starring Chris Lilley. It is a parody of high-school life epitomised by its three protagonists: effeminate and megalomaniacal “Director of Performing Arts” Mr G; self-absorbed, privileged teenager Ja’mie King; and disobedient, vulgar Tongan student Jonah Takalua. All played by Lilley, the characters never interact. It lampoons Australian high school life and many aspects of the human condition and is filmed in a documentary style, with non-actors playing supporting characters.
Following a similar format to Lilley’s previous series, We Can Be Heroes: Finding The Australian of the Year, Lilley plays multiple characters in the show. Filmed in Melbourne at Brighton Secondary College, the series premiered on 5 September 2007 at 9:30 pm on ABC TV and continued for eight weekly episodes until 24 October 2007. Each episode was also released as a weekly podcast directly after its screening via both the official website and through any RSS podcast client in either WMV or MPEG-4.
Summer Heights High was a massive ratings success for the Australian Broadcasting Corporation, and was met with mostly positive critical reaction. In 2008, the series won a Logie Award for Most Popular Light Entertainment/Comedy Program.
A bold, feminist film about how the vagina has shaped our view of the world and the shame around female sexuality. Women from 19 to 77 years old talk about puberty, menstruation, birth, motherhood, infertility, menopause, pleasure, sex, pain, trauma, gender, sexuality, cancer, rape and FGM.
